韩国世博会新创意——2020年迪拜世博会：韩国馆

nooyoon提出的在2020年世博会韩国馆的方案提供了一个物理和虚拟的空间。作为一个物理空间，盒子向四面八方膨胀。这反映了物理空间无法适应信息的指数扩展。在这种物理增长的极限，物理空间扩展为虚拟空间。

nooyoon’s proposal for korean pavilion at expo 2020 dubai provides a space that is both physical and virtual. as a physical space, the box inflates in all directions. this reflects the inability of a physical space to accommodate the exponential expansion of information. at the limit of this physical growth in size, the physical space expands to a virtual one.

在过去，用户通常比创作者多 - 很多人使用由少数创作者创建的资源，信息和工具。然而，如今，创作者和用户几乎同样多。通过技术的进步和信息可访问性的提高，任何人都可以成为创造者。通过youtube、instagram和facebook等社交网络服务(SNS)，用户以最快的速度发布媒体。创造者呈指数增长，创造出前所未有的新价值。在不久的将来，创作者和用户之间的区别将变得更加模糊。nooyoon的设计将“移动性”定义为用户成为创作者的过程。这种转变比2020年的迪拜韩国展馆更加明显，这是一个与来自世界各地的观众分享韩国科技进步理念的机会。

in the past, there have generally been more users than creators – a large number of people used the resources, information and tools created by a small number of creators. however, nowadays, creators and users are almost equally numerous. through the advancement of technology and the increased accessibility of information, anyone can become a creator. through social network services (SNS) such as youtube, instagram, and facebook, users are publishing media at an unprecedented rate. creators are increasing exponentially, creating new value that never existed before. in the near future, the distinction between creators and users will become even more nebulous. nooyoon design defines ‘mobility’ as the process by which a user becomes a creator. this transformation is nowhere more evident than in the 2020 dubai korea pavilion, an opportunity to share korea’s philosophy of advancement through technology with viewers from around the world.

通过每位访客的个人设备体验nooyoon展馆的虚拟空间。在下载特殊应用程序后，访客可以将自己的文本，图像或视频投影到展馆的立面上。此外，他们可以自由地设计构成结构基本模块的像素的形状，大小，颜色和图案，并通过SNS共享。通过这种方式，访问者可以同时享受用户和创作者的乐趣。

the virtual space of nooyoon’s pavilion is experienced through each visitor’s personal device. after downloading a special app, visitors can project their own texts, images, or video onto the exterior walls of the pavilion. in addition, they can freely design the shape, size, color and pattern of the pixels that comprise the basic module of the structure and share it through SNS. in this way, visitors can enjoy being both a user and creator at the same time.

该立方体是世界上最大的虚拟现实空间。这个15立方米的空间内衬高清 QLED面板，支持360度VR。参观者可以充当策展人，在物理空间中分享他们的设计和想法，并通过应用程序自由地定制展示。此外，这个空间可用于促进韩国文化，技术和与其他计划展览空间相关的公司。

the cube, which stands at the beginning of korea’s exhibition, is the largest virtual reality (VR) space in the world. this space of 15 cubic meters is lined with HD QLED panels, supporting VR in 360 degrees. visitors can act as curators, sharing their designs and ideas in the physical space, and freely customizing the display through the application. in addition, this space can be used for promoting korean culture, technology, and companies connected with other planned exhibition spaces.

韩国馆的立面由乙烯四氟乙烯制成，这是一种符合迪拜世博会主题的环保可持续材料。作为氟碳基聚合物，不受紫外线或空气污染物的影响。此外，屋顶上还安装了太阳能电池板，为展馆的运行提供动力。

the exterior walls of the korea pavilion are made of ethylene tetrafluoroethylene (ETFE), an environmentally sustainable material that meets the theme of dubai expo. as a fluorocarbon-based polymer, ETFE is not affected by ultraviolet light or air pollutants. in addition, flexible solar panels are installed on the roof to power the pavilion’s operation.

通过使用半透明ETFE垫层，外立面传输漫射光而不是直射阳光，为观看创造最佳环境。垫子有两层 - 内部和外部 - 在它们之间安装了一个迷你高清投影仪。通过半透明ETFE面板上的投影，可以在展馆内外投影各种图像和视频。

by using a translucent ETFE cushion, the facade transmits diffuse light rather than direct sunlight, creating an optimal environment for viewing. the cushion has two layers – inside and outside – with a mini HD projector installed between them. with the projection on the translucent ETFE panel, various images and videos can be projected inside and outside the pavilion.

场地平面图